The structure and proportions of the piece makes an analogy to design processes in architecture in which a percusive-like foundation weighs ethereal and disrupted soundscapes all wrapped in a very controlled and detailed aesthetic. The repetition and difference details of the textures expresses a topological strategy, as in a process pattern-based form.
There are basically 3 sections in the piece, and the structures lie bare, as in the structure/material honesty in architecture, were materials and structural tensions are exposed and you are able to read how the building work.
The first section of the piece drowns into a very contrasted material but connected in details and textures. Immerses into a ethereal soundscape in which details appear and dissapear, that respond and walk in parallel in all kind of ways... as pritzker winner architect Peter Zumthor says: "Details, when they are really well done, they are not adornment or decoration, but a real source of beauty".
